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Kraters in Use: at symposia or komoi
Interior of a kylix: youth holding a kylix; man holding
oinochoe; volute krater on left Exterior of calyx krater; Satyr holding krater and
looking forward; satyr playing barbiton (a type of lyre);
Dionysus holding kantharos Exterior of pelike; komos (drunken revel); woman holding
kithara and singing; youth bending over to lift a large
column-krater decked with ivy Exterior of kylix; symposium scene; youths approach large
column krater Interior of a kylix: Satyr filling a krater from a
wineskin Exterior of the same vase: komos (drunken revel); naked
men dance and court around a large krater; youth on the left
gestures toward krater and drinks from a cup; bearded man on
the right holds out a barbiton Stamnos with komos; flute girl playing; youth dancing
while holding a column krater decked with ivy (detail
of krater); bearded man on right holds barbiton and is
beating the time with his staff Exterior of kylix with komos; a young girl plays the
flute while four youths and two men sing and dance; on the
left, a youth holds a kylix and a skyphos; to his right a
youth dances holding a kylix of the type on which this scene
is depicted; to his right a youth dips into the krater, and
holds a kylix in his left hand (detail
of krater scene) The revelry now is ended: interior of the same vase with
man vomiting into a large shallow bronze vessel and a slave
boy holding his head. Evidently, even when it was mixed with
water, Greek wine was still pretty strong stuff!
Attic red figure; early classical (450-440 bce)
Attic red figure; archaic (500 bce)
Attic red figure; early classical (470 bce)
Attic red figure; archaic (500 bce)
Attic red figure; archaic (510 bce)
Attic red figure; classical (450-440 bce)
Attic red figure; late archaic (490 bce)